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We took a bus for the 12-hour ride to Chiclayo. The bus we took was no Greyhound. We enjoyed first-class service with large comfortable, reclining chairs and a pretty attendant who hosted a bingo game. It wasn't perfect because, frankly, I thought playing bingo on a bus was weird, the food was terrible, and the beverages were unimaginative–sweet soda, sweet coffee, and sweet tea. However, most importantly, the bus was on time and we arrived safely.
I admit, I was very excited to go on this trip. I love love LOVE! pre-Inca art, particularly art by the Moche. And Chiclayo and Trujillo are abound with their remnants. So, as soon as we stepped off the bus, we headed to Lambayeque, a town 10 km north of Chiclayo, to visit the Museo de Tumbes Reales.
After two hours, we headed to Túcume, a town 20 km north of Lambayeque. We checked into our hotel, Los Horcones, which is located in the backyard of the Túcume ruins. Los Horcones is a beautiful space. The owner is an architect and designed the rooms himself. We played on the hammocks, strolled the grounds, picked guava (looks like a gigantic green bean with sweet white pulp), and gazed at the Milky Way at night.
Los Horcones left an impression on me in other ways too. The next morning, I wore shorts to breakfast. Vicious mosquitoes attacked me and in less than 15 minutes I counted 30 bites. It turned out that I was allergic to their venom. The following day all the bites swelled into quarter and half-dollar sized bumps. Now the itchiness and swelling have subsided, but I am left with what look like jumbo hickeys on my legs.
Because the pyramids are constructed from adobe, they looked like mountains that have melted. The Lambayeque culture built Túcume after they mysteriously fled and abandoned another city. Túcume was a sacred ceremonial, burial, and healing site.
We fled purgatory shortly before noon, ate lunch, and made our way back to Chiclayo to take a bus to Trujillo. The three hour ride down the dessert coast littered with garbage, sand, villages, and ruins was uneventful; we slept through most of it. When we arrived in Trujillo, it was already dark. We ate at a cafe recommended by our guidebook. The food was absolutely awful. Mimi ordered a chicken sandwich and they presented her with a grilled chicken platter. I am sure that if we had sampled the sand on the highway to Trujillo, it would have had more flavor than the chicken, and better texture.
Like Chiclayo, Trujillo is rich with pre-Inca ruins and we were poor on time. After an unsatisfactory breakfast at the hostel, I felt like I had woken up on the wrong side of the sleeping bag and was irritable. (We were the only customers and waited 25 minutes for three cooks to prepare scrambled eggs, coffee, and untoasted bread.)
After the death of a Chimú king, his palace was converted into a mausoleum. The mummified body of the king along with human and animal sacrifices, food, ceramics, gold, and other necessities for the afterlife were sealed in the palace, and the succeeding king built, lived, and governed in a new palace.
Chan Chan is so big that it would take a day to visit all the ruined palaces. We had to press on. A taxi dropped us off at the Plaza de Armas in Trujillo. There is a big fountain with a skinny naked man statue on top. Our guidebook suggested that his face resembled Simón Bolívar, the great South American liberator; I thought the man carried the expression of someone who had to pee badly. After a visit to the church and drinks at the fancy Libertador Hotel, we ate ceviche at the nearby Plaza de Recreo.
We followed the crowd for two blocks then ducked into Café El Museo for delicious hot chocolate. The classy and cozy cafe had a wooden bar, antique cash register, leather benches.
Above it is a toy museum, Museo de los Jugetes, with playthings that span time and distance from Western toy cars, teddy bears, and train sets to pre-Inca dolls.
Bright and early next morning, we exited our hostel, crossed the street, and hit the beach. The water was frigid and the waves were rough and tall–perfect for surfing. We didn't have time for surfing (there were more old things to see) but Carlos managed to get out to sea by signing up for a 10 minute ride on a reed boat. The boats are called Caballitos de Tortora; tortora is the name of the tall reed that grows in the valley.
The locals are trying to promote tourism in Huachaco. Fisherman head out to sea before dawn to catch fish. In the late morning, they mend their boats on the beach and offer rides to tourists to supplement their income. At s/ 5 per ride, it's a pretty good earning; but with so many competing ride-givers, the fishermen don't end up making much. (So they say!)
Our guide explained the different styles of ceramics: Moche ceramics were sculpted or painted. They came in human, animal, and vegetable shapes, and some depicted diseases like leprosy, cleft lip, amputation, and conjoined twins. Nasca (southern culture contemporary with the Moche in the north) ceramics were painted in many different colors. Etc.
There was a collection of erotic pieces too. Our guide made a point to emphasize that the erotic ceramics were not intended as pornography. They were fertility symbols. (Imagine a Moche man waiting for the arrival of his monthly subscription of ceramics wrapped in brown paper. Well, that didn't happen.)
The erotic collection depicted heterosexual, homosexual, and animal sex, along with plenty of attention-grabbing phalli (apparently, brides drank from those on their wedding night). Sexually transmitted diseases were also represented; there was a vessel showing a man with a rash on his bum and a woman holding her nose to the smelly infection. I asked our guide how homosexual sex is a symbol of fertility when men can't conceive. He explained that conception wasn't important; the sex act was the point.
The end. My desire to behold pre-Inca art had been satisfied. Thoroughly. With the images from the Cassinelli collection vividly imprinted in my memory, like the sharp scent of sweet mandarins, I am happy as a goat.
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